The terrible tragedy of innocents caught up in bloody conflicts beyond their control isn’t exactly your typical porno theme, but it’s one that director John Smith uses to full effect when he sets the fates of Charlie Keller and Lior Hod against a backdrop of war and conflict in Dark Age Europe. To be fair, it’s a theme that could easily be transferred to a much more modern setting; and the two stars give a very modern and complete performance as they kiss and smooch on Keller’s prayer rug, before things between them become increasingly carnal. Perhaps unsurprisingly, it’s Keller who makes the first move in this regard, plunging into her new lover’s crotch and greedily devouring every upturned inch of Hod’s magnificent joystick. It’s a move Hod eventually replicates – engaging in a merry little game of ball-worship in the process – but it’s undoubtedly Keller who is the energetic force behind this performance, taking Hod’s tongue in her pucker before enjoying the fleshy strength of her companion’s shaft as she stretches the outline of her gut. Mind, with a fabulous curve like that running its length, it’s no wonder Hod’s weapon seems to give so much pleasure to the horny little bitch, who gasps and writhes like a full-time slut and whose heights of existence only seem to come when he’s bouncing up and down on his companion’s button. Indeed, anyone who doubts the ecstasy described here need only watch Keller’s truly incredible climax, which really has to be seen to be believed; coupled with the sight of the boy disconnecting by engulfing Hod’s erupting head!
